{"id":859,"date":"2023-06-26T16:55:26","date_gmt":"2023-06-26T14:55:26","guid":{"rendered":"https:\/\/tulliovietri.com\/?page_id=859"},"modified":"2023-10-14T16:49:27","modified_gmt":"2023-10-14T14:49:27","slug":"critica-radicale","status":"publish","type":"page","link":"https:\/\/tulliovietri.com\/en\/critica-radicale\/","title":{"rendered":"Critica Radicale"},"content":{"rendered":"<div>Tullio Vietri<\/div>\n<h1>Critica<br \/>Radicale<\/h1>\n<div>Critica Radicale<\/div>\n<div>Vietri is not only a painter, but also an intellectual and cultural operator. In the first half of the 1970s, he distanced himself from the official art world and resigned from the national secretaryship of the painters and sculptors&#8217; union. Nevertheless, he maintained his interest in the confrontation of ideas and dialogue between artists and intellectuals, which he sought out and encouraged at a local and national level. Thus the magazine project matured over time.<\/div>\n<p><img decoding=\"async\" src=\"\/wp-content\/uploads\/2023\/05\/foto-ritoccata-tullio-vietri-2.png\" alt=\"\"><\/p>\n<h1>Critica Radicale<\/h1>\n<h3>The year 1988 saw the birth of \u00ab<em>Critica Radicale<\/em>, per una nuova cultura per una nuova arte\u00bb (\u00abRadical Criticism, for a new culture for a new art\u00bb), a six-monthly review conceived as a space for free debate on ethical and aesthetic issues, on historical and cultural problems, where Vietri could also freely present his pictorial and graphic work.<\/h3>\n<ul class=\"swiper mySwiper\">\n<div class=\"swiper-wrapper\">\n<li class=\"swiper-slide\">\n<p>        <img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/07\/critica-radicale-serie-589eae2e-de6d-493a-90d2-75c0c5134697-rotated.jpg\" alt=\"\"><\/p>\n<\/li>\n<li class=\"swiper-slide\">\n<p>        <img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/08\/INSERTO-1.webp\" alt=\"\"><\/p>\n<\/li>\n<li class=\"swiper-slide\">\n<p>        <img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/08\/INSERTO-2.webp\" alt=\"\"><\/p>\n<\/li>\n<li class=\"swiper-slide\">\n<p>        <img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/07\/14-studi-primi-50-su-morandi-e-non-so-scaled.jpg\" alt=\"\"><\/p>\n<\/li><\/div>\n<\/ul>\n<div><em>Critica Radicale<\/em> is an alternative paper, without advertisements and without a publisher, that was able to survive until 1999 thanks to the interest of readers, the contribution of publicists and Vietri himself. Directed by Tullio Vietri, the main contributors were Vittoria Corti from Florence, Lucio Zinna from Palermo, Aleramo Hermet and Paola Ratticogni from Milan. Distributed nationally and internationally, Critica Radicale gave rise, among other things, to numerous exchanges with other art, literature, poetry, history and philosophy reviews, as documented in its archives, now preserved by the Municipality of Oderzo. The review can be found in numerous national and foreign libraries, including the Biblioteca dell&#8217;Archiginnasio in Bologna and the Biblioteca Civica in Oderzo.<\/div>\n<div>The Tullio Vietri Atelier welcomes today what was once the review&#8217;s \u201ceditorial office\u201d: the large desk, the typewriter on which Anna Maria typed her husband&#8217;s texts under dictation, the catalogs of the artists reviewed, as well as numerous copies of the magazine itself.<\/div>\n<p><img decoding=\"async\" src=\"\/en\/wp-content\/uploads\/2023\/07\/IMG_0866-scaled.jpg\" alt=\"\"><\/p>\n<h3><strong>The review, <span class=\"uk-text-primary\">entire series<\/span> or <span class=\"uk-text-primary\">individual issues<\/span>, can be ordered from the <span class=\"uk-text-primary\">Tullio Vietri Atelier<\/span>, shipping costs to be paid by the recipient.<\/strong><\/h3>\n<p>\n    <a href=\"mailto:info@tulliovietri.com\">Order the review<\/a>\n<\/p>\n<h2>Events &#038; News<\/h2>\n<div>News and information on new events related to Tullio Vietri and ongoing activities within the Atelier.<br \/>\nHighlights of special moments, near and far.\n<\/div>\n<div>\n<\/div>\n<p>\n    <a href=\"\/en\/eventi-e-news\/\">View Events &#038; News<\/a>\n<\/p>\n<div>\n<h2>The Atelier<\/h2>\n<p>Tullio Vietri<\/p>\n<div>\n<p>The atelier preserves the family\u2019s rich pictorial and graphic collection (approximately 1,500 pieces, between paintings and graphics). It periodically organizes temporary exhibitions within its spaces, in order to promote knowledge about the collection, displaying the works in rotation.<\/p>\n<p>It is located in Bologna in Via Saragozza 135 under the historic portico of San Luca.<br \/>The Atelier can be visited, by appointment, from October to June. Guided tours available.<\/p>\n<\/div>\n<p><a href=\"\/en\/the-atelier\/\">Further information<\/a><\/p>\n<\/div>\n<div>\n<h2>The Museum<\/h2>\n<p>Tullio Vietri<\/p>\n<div>\n<p>The Biblioteca Civica, managed by the Oderzo Cultura Foundation, displays the core of the collection owned by the Municipality of Oderzo, by the artist\u2019s behest, custodian of his artworks (about 4000 pieces including paintings and graphics).<\/p>\n<p>It is located in Oderzo (TV) in Via Garibaldi 80 at the Civic Library.<br \/>It can be visited during library opening hours and by appointment.<\/p>\n<\/div>\n<p><a href=\"\/en\/the-museum\/\">Further information<\/a><\/p>\n<\/div>\n<p><!--more--><br \/>\n<!-- {\"type\":\"layout\",\"children\":[{\"type\":\"section\",\"props\":{\"class\":\"uk-position-relative\",\"header_transparent_noplaceholder\":false,\"height\":\"full\",\"image_position\":\"center-center\",\"overlap\":false,\"padding\":\"xlarge\",\"padding_remove_bottom\":false,\"style\":\"muted\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"Tullio Vietri\",\"margin\":\"remove-vertical\",\"title_element\":\"div\",\"title_style\":\"h2\"}},{\"type\":\"headline\",\"props\":{\"content\":\"Critica<br \/>Radicale\",\"margin_remove_top\":false,\"position\":\"relative\",\"position_z_index\":\"2\",\"text_align\":\"left\",\"text_align_breakpoint\":\"m\",\"text_align_fallback\":\"center\",\"title_element\":\"h1\",\"title_style\":\"heading-2xlarge\",\"visibility\":\"s\"}},{\"type\":\"headline\",\"props\":{\"content\":\"Critica Radicale\",\"text_align\":\"left\",\"text_align_breakpoint\":\"m\",\"text_align_fallback\":\"center\",\"title_element\":\"div\",\"title_style\":\"heading-xlarge\",\"visibility\":\"hidden-s\"}},{\"type\":\"text\",\"props\":{\"class\":\"uk-width-xlarge@l\",\"column_breakpoint\":\"m\",\"content\":\"Vietri is not only a painter, but also an intellectual and cultural operator. In the first half of the 1970s, he distanced himself from the official art world and resigned from the national secretaryship of the painters and sculptors' union. Nevertheless, he maintained his interest in the confrontation of ideas and dialogue between artists and intellectuals, which he sought out and encouraged at a local and national level. Thus the magazine project matured over time.\",\"margin\":\"medium\",\"maxwidth\":\"2xlarge\",\"maxwidth_breakpoint\":\"m\",\"position\":\"relative\",\"position_z_index\":\"1\",\"text_align\":\"left\",\"text_align_breakpoint\":\"m\",\"text_align_fallback\":\"center\",\"text_style\":\"large\"}}]}],\"props\":{\"margin\":\"remove-vertical\",\"width\":\"small\"}},{\"type\":\"row\",\"props\":{\"margin\":\"remove-vertical\",\"width\":\"small\"},\"children\":[{\"type\":\"column\",\"props\":{\"css\":\".el-column > * { position: static; }\",\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"image\",\"props\":{\"animation\":\"parallax\",\"css\":\".el-image { max-width: 54vw; }\\n.el-element { pointer-events: none; }\\n\\n@media (max-width: 1199px) {\\n    .el-element { \\n        right: -80px!important;\\n        text-align: right!important; }\\n}\",\"image\":\"\\\/wp-content\\\/uploads\\\/2023\\\/05\\\/foto-ritoccata-tullio-vietri-2.png\",\"image_loading\":true,\"image_svg_color\":\"emphasis\",\"image_width\":\"800\",\"margin\":\"default\",\"parallax_x\":\"240\",\"position\":\"absolute\",\"position_bottom\":\"0\",\"position_right\":\"-370\",\"position_z_index\":\"1\",\"text_align\":\"center\",\"visibility\":\"m\"}}]}]}],\"name\":\"Hero\"},{\"type\":\"section\",\"props\":{\"css\":\".el-section{\\n    background:#ffffff;\\n}\",\"image_position\":\"center-center\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"large\"},\"children\":[{\"type\":\"row\",\"children\":[{\"type\":\"column\",\"props\":{\"image_effect\":\"fixed\",\"image_position\":\"center-left\",\"image_size\":\"contain\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"Critica Radicale\",\"title_element\":\"h1\",\"title_style\":\"h1\"}},{\"type\":\"headline\",\"props\":{\"content\":\"The year 1988 saw the birth of \\u00ab<em>Critica Radicale<\\\/em>, per una nuova cultura per una nuova arte\\u00bb (\\u00abRadical Criticism, for a new culture for a new art\\u00bb), a six-monthly review conceived as a space for free debate on ethical and aesthetic issues, on historical and cultural problems, where Vietri could also freely present his pictorial and graphic work.\",\"title_element\":\"h3\",\"title_style\":\"h3\"}}]}],\"props\":{\"width\":\"expand\"}},{\"type\":\"row\",\"props\":{\"layout\":\"1-2,1-2\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"sm_swiper_slider\",\"props\":{\"filter_align\":\"left\",\"filter_all\":true,\"filter_grid_breakpoint\":\"m\",\"filter_grid_width\":\"auto\",\"filter_position\":\"top\",\"filter_style\":\"tab\",\"grid_default\":\"1\",\"grid_medium\":\"3\",\"item_animation\":true,\"link_style\":\"default\",\"link_text\":\"Read more\",\"margin\":\"default\",\"meta_align\":\"below-title\",\"meta_element\":\"div\",\"meta_style\":\"text-meta\",\"overlay_hover\":true,\"overlay_mode\":\"cover\",\"overlay_position\":\"center\",\"overlay_style\":\"overlay-primary\",\"overlay_transition\":\"fade\",\"show_content\":true,\"show_hover_image\":true,\"show_link\":true,\"show_meta\":true,\"show_title\":true,\"text_align\":\"center\",\"text_color\":\"light\",\"title_element\":\"h3\",\"title_hover_style\":\"reset\"},\"children\":[{\"type\":\"sm_swiper_slider_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/07\\\/critica-radicale-serie-589eae2e-de6d-493a-90d2-75c0c5134697-rotated.jpg\"}},{\"type\":\"sm_swiper_slider_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/08\\\/INSERTO-1.webp\"}},{\"type\":\"sm_swiper_slider_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/08\\\/INSERTO-2.webp\"}},{\"type\":\"sm_swiper_slider_item\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/07\\\/14-studi-primi-50-su-morandi-e-non-so-scaled.jpg\"}}],\"name\":\"Swiper slide tulliovietri 25\\\/07\\\/2023\"}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"text\",\"props\":{\"column_breakpoint\":\"m\",\"content\":\"<em>Critica Radicale<\\\/em> is an alternative paper, without advertisements and without a publisher, that was able to survive until 1999 thanks to the interest of readers, the contribution of publicists and Vietri himself. Directed by Tullio Vietri, the main contributors were Vittoria Corti from Florence, Lucio Zinna from Palermo, Aleramo Hermet and Paola Ratticogni from Milan. Distributed nationally and internationally, Critica Radicale gave rise, among other things, to numerous exchanges with other art, literature, poetry, history and philosophy reviews, as documented in its archives, now preserved by the Municipality of Oderzo. The review can be found in numerous national and foreign libraries, including the Biblioteca dell'Archiginnasio in Bologna and the Biblioteca Civica in Oderzo.\",\"margin\":\"default\"}}]}]}]},{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"style\":\"muted\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"large\"},\"children\":[{\"type\":\"row\",\"props\":{\"layout\":\"2-3,1-3\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"2-3\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"The Tullio Vietri Atelier welcomes today what was once the review's \\u201ceditorial office\\u201d: the large desk, the typewriter on which Anna Maria typed her husband's texts under dictation, the catalogs of the artists reviewed, as well as numerous copies of the magazine itself.\",\"title_element\":\"div\",\"title_style\":\"h3\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"1-3\"},\"children\":[{\"type\":\"image\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/07\\\/IMG_0866-scaled.jpg\",\"image_svg_color\":\"emphasis\",\"margin\":\"default\"}}]}]}]},{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"padding\":\"xsmall\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"large\"},\"children\":[{\"type\":\"row\",\"props\":{\"layout\":\"2-3,1-3\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"2-3\"},\"children\":[{\"type\":\"headline\",\"props\":{\"content\":\"<strong>The review, <span class=\\\"uk-text-primary\\\">entire series<\\\/span> or <span class=\\\"uk-text-primary\\\">individual issues<\\\/span>, can be ordered from the <span class=\\\"uk-text-primary\\\">Tullio Vietri Atelier<\\\/span>, shipping costs to be paid by the recipient.<\\\/strong>\",\"title_element\":\"h3\",\"title_style\":\"h2\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"middle\",\"width_medium\":\"1-3\"},\"children\":[{\"type\":\"button\",\"props\":{\"grid_column_gap\":\"small\",\"grid_row_gap\":\"small\",\"margin\":\"default\"},\"children\":[{\"type\":\"button_item\",\"props\":{\"button_style\":\"primary\",\"content\":\"Order the review\",\"icon_align\":\"left\",\"link\":\"mailto:info@tulliovietri.com\"}}]}]}]}]},{\"type\":\"section\",\"props\":{\"height\":\"full\",\"image_position\":\"center-center\",\"padding\":\"small\",\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"props\":{\"width\":\"xlarge\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"position_sticky_breakpoint\":\"m\"},\"children\":[{\"type\":\"headline\",\"props\":{\"class\":\"el-from-small-bottom-animation\",\"content\":\"Events & News\",\"position\":\"relative\",\"position_z_index\":\"1\",\"text_align\":\"center\",\"title_element\":\"h2\",\"title_style\":\"heading-large\"},\"name\":\"Standard Page template - 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section eventi e news - button\"}]}]}],\"name\":\"News & Events - 14\\\/10\\\/2023\"},{\"type\":\"section\",\"props\":{\"image_position\":\"center-center\",\"padding_remove_bottom\":true,\"padding_remove_top\":true,\"style\":\"default\",\"title_breakpoint\":\"xl\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"vertical_align\":\"middle\",\"width\":\"\"},\"children\":[{\"type\":\"row\",\"props\":{\"height\":\"full\",\"layout\":\"1-2,1-2\",\"row_gap\":\"collapse\"},\"children\":[{\"type\":\"column\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/07\\\/WhatsApp-Image-2023-07-24-at-12.11.37.jpeg\",\"image_effect\":\"parallax\",\"image_parallax_bgy\":\"-290\",\"image_position\":\"center-center\",\"image_size\":\"cover\",\"media_overlay\":\"rgba(250, 247, 237, 0)\",\"padding\":\"none\",\"position_sticky_breakpoint\":\"m\",\"vertical_align\":\"bottom\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"panel\",\"props\":{\"block_align\":\"center\",\"class\":\"el-from-small-left-animation card-overlay-bottom-one-third\",\"content\":\"\n\n<p>The atelier preserves the family\\u2019s rich pictorial and graphic collection (approximately 1,500 pieces, between paintings and graphics). It periodically organizes temporary exhibitions within its spaces, in order to promote knowledge about the collection, displaying the works in rotation.<\\\/p>\\n\n\n<p>It is located in Bologna in Via Saragozza 135 under the historic portico of San Luca.<br \/>The Atelier can be visited, by appointment, from October to June. Guided tours available.<\\\/p>\",\"content_align\":false,\"content_column_breakpoint\":\"m\",\"icon_width\":80,\"image_align\":\"top\",\"image_grid_breakpoint\":\"m\",\"image_grid_width\":\"1-2\",\"image_svg_color\":\"emphasis\",\"link\":\"the-atelier\\\/\",\"link_margin\":\"large\",\"link_style\":\"secondary\",\"link_text\":\"Further information\",\"margin\":\"small\",\"meta\":\"Tullio Vietri\",\"meta_align\":\"above-title\",\"meta_element\":\"div\",\"meta_margin\":\"small\",\"meta_style\":\"h6\",\"panel_padding\":\"large\",\"position_bottom\":\"-20vh\",\"text_align\":\"center\",\"title\":\"The Atelier\",\"title_align\":\"top\",\"title_element\":\"h2\",\"title_grid_breakpoint\":\"m\",\"title_grid_width\":\"1-2\",\"title_hover_style\":\"reset\",\"title_margin\":\"small\",\"title_style\":\"heading-medium\"},\"name\":\"Standard Page template - section pre footer - l' atelier\"}]},{\"type\":\"column\",\"props\":{\"image\":\"wp-content\\\/uploads\\\/2023\\\/07\\\/P1050674-2.jpg\",\"image_effect\":\"parallax\",\"image_parallax_bgy\":\"-70\",\"image_position\":\"center-center\",\"image_size\":\"cover\",\"media_overlay\":\"rgba(255, 255, 255, 0)\",\"padding\":\"none\",\"position_sticky_breakpoint\":\"m\",\"text_color\":\"dark\",\"vertical_align\":\"bottom\",\"width_medium\":\"1-2\"},\"children\":[{\"type\":\"panel\",\"props\":{\"block_align\":\"center\",\"class\":\"card-overlay-bottom-one-third el-from-small-left-animation background-mute-alpha7\",\"content\":\"\n\n<p>The Biblioteca Civica, managed by the Oderzo Cultura Foundation, displays the core of the collection owned by the Municipality of Oderzo, by the artist\\u2019s behest, custodian of his artworks (about 4000 pieces including paintings and graphics).<\\\/p>\\n\n\n<p>It is located in Oderzo (TV) in Via Garibaldi 80 at the Civic Library.<br \/>It can be visited during library opening hours and by appointment.<\\\/p>\",\"content_align\":false,\"content_column_breakpoint\":\"m\",\"icon_width\":80,\"image_align\":\"top\",\"image_grid_breakpoint\":\"m\",\"image_grid_width\":\"1-2\",\"image_svg_color\":\"emphasis\",\"link\":\"the-museum\\\/\",\"link_margin\":\"large\",\"link_style\":\"secondary\",\"link_text\":\"Further information\",\"margin\":\"small\",\"maxwidth\":\"large\",\"meta\":\"Tullio Vietri\",\"meta_align\":\"above-title\",\"meta_element\":\"div\",\"meta_margin\":\"small\",\"meta_style\":\"h6\",\"panel_padding\":\"large\",\"position_bottom\":\"-20vh\",\"text_align\":\"center\",\"title\":\"The Museum\",\"title_align\":\"top\",\"title_element\":\"h2\",\"title_grid_breakpoint\":\"m\",\"title_grid_width\":\"1-2\",\"title_hover_style\":\"reset\",\"title_margin\":\"small\",\"title_style\":\"heading-medium\"},\"name\":\"Standard Page template - section pre footer - l' atelier\"}]}]}],\"name\":\"Pre Footer -  En version - 14\\\/10\\\/2023\"}],\"version\":\"4.1.1\",\"yooessentialsVersion\":\"1.9.9\"} --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tullio Vietri CriticaRadicale Critica Radicale Vietri is not only a painter, but also an intellectual and cultural operator. 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