{"id":4433,"date":"2026-06-09T17:40:19","date_gmt":"2026-06-09T15:40:19","guid":{"rendered":"https:\/\/tulliovietri.com\/en\/?p=4433"},"modified":"2026-06-09T17:48:54","modified_gmt":"2026-06-09T15:48:54","slug":"broken-landscapes","status":"publish","type":"post","link":"https:\/\/tulliovietri.com\/en\/broken-landscapes\/","title":{"rendered":"Broken Landscapes"},"content":{"rendered":"
Landscape and redefinition of figurative space<\/small><\/div>\n

Broken Landscapes<\/h1>\n
Broken Landscapes<\/div>\n
The concept of landscape in Bolognese art from the post-war period to the new millennium<\/div>\n

\"\"<\/p>\n

\n

The exhibition, curated by Alessio Costarelli and Pasquale Fameli, presents thirty pieces by twenty-three Bolognese artists, including Tullio Vietri. There are many well-known names, from Morandi to De Vita, Vacchi, Bendini, Ghermandi, Pulga, Cuniberti and Nanni. Alongside these established names, the exhibition features several emerging young artists and their recent works. A carefully curated and thought-through selection, designed to explore a particular aspect of contemporary visual art linked to the landscape: the fragmentation of the image, the dissolution of the homogeneity and compactness of the landscape view, and the rejection of the illusory conventions of perspective.

\nA selection of paintings, sculptures, and works on paper \u2013 often previously unseen and never before exhibited \u2013 offers insight into a rich and diverse panorama of artistic research and experimentation developed over several decades.\n<\/p>\n

Among those present at the opening were Daniele Del Pozzo, Councillor for Culture of the Municipality of Bologna, Giovanni Gardini, Director of the Lercaro Museum, and the exhibition curators, Alessio Costarelli and Pasquale Fameli, who highlighted the significance of the exhibition, describing it as \u201ca project that combines academic research, the promotion of hidden artistic heritage, and the dissemination of local creativity, in the spirit of the encounter between nature and culture.\u201d<\/p>\n<\/div>\n

\n<\/div>\n

From June 4 to August 2, 2026
\nLercaro Art Museum<\/strong>
\nMuseum of ancient, modern and contemporary art
\nvia Riva di Reno 57, Bologna.
\n<\/small><\/h3>\n
\n

44.4986521,11.3375928<\/p>\n<\/div>\n

Events & News<\/h2>\n
News and information on new events related to Tullio Vietri and ongoing activities within the Atelier.
\nHighlights of special moments, near and far.\n<\/div>\n
\n<\/div>\n

\n View Events & News<\/a>\n<\/p>\n

\n

The Atelier<\/h2>\n

Tullio Vietri<\/p>\n

\n

The atelier preserves the family\u2019s rich pictorial and graphic collection (approximately 1,500 pieces, between paintings and graphics). It periodically organizes temporary exhibitions within its spaces, in order to promote knowledge about the collection, displaying the works in rotation.<\/p>\n

It is located in Bologna in Via Saragozza 135 under the historic portico of San Luca.
The Atelier can be visited, by appointment, from October to June. Guided tours available.<\/p>\n<\/div>\n

Further information<\/a><\/p>\n<\/div>\n

\n

The Museum<\/h2>\n

Tullio Vietri<\/p>\n

\n

The Biblioteca Civica, managed by the Oderzo Cultura Foundation, displays the core of the collection owned by the Municipality of Oderzo, by the artist\u2019s behest, custodian of his artworks (about 4000 pieces including paintings and graphics).<\/p>\n

It is located in Oderzo (TV) in Via Garibaldi 80 at the Civic Library.
It can be visited during library opening hours and by appointment.<\/p>\n<\/div>\n

Further information<\/a><\/p>\n<\/div>\n


\n<\/p>\n","protected":false},"excerpt":{"rendered":"

Landscape and redefinition of figurative space Broken Landscapes Broken Landscapes The concept of landscape in Bolognese art from the post-war period to the new millennium The exhibition, curated by Alessio Costarelli and Pasquale Fameli, presents thirty pieces by twenty-three Bolognese artists, including Tullio Vietri. There are many well-known names, from Morandi to De Vita, Vacchi, […]<\/p>\n","protected":false},"author":1,"featured_media":4439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rank_math_lock_modified_date":false,"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-4433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-evidence","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/posts\/4433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/comments?post=4433"}],"version-history":[{"count":7,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/posts\/4433\/revisions"}],"predecessor-version":[{"id":4445,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/posts\/4433\/revisions\/4445"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/media\/4439"}],"wp:attachment":[{"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/media?parent=4433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/categories?post=4433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tulliovietri.com\/en\/wp-json\/wp\/v2\/tags?post=4433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}